A Work of Art

A woman’s body is the rent payment. 
It is a map of the earth. 
A woman’s body can be divided into parts 
which can then be used to name a type of man, 
as in, a tit man, a leg man, 
as opposed to just an Ass, man. 

The commercial-ideal
of a woman’s body looks like 
a very tall, skinny adolescent
boy with tits and no penis. 
It would appear. 

A woman’s body is found 
murdered in the undergrowth.
A woman’s body is available
on Craig’s List, tattooed, 
scarred, stolen, unacceptable. 
Not her! She’s a child, 
not a woman yet, pal.

A woman’s body is more
than you can handle. 
Is that why you take her
in sections? 

She is the tunnel from which you emerged. 
The soft mountain of your infancy. 
This is your mother we’re talking about here. 
A woman’s body is a place of art, 
a form of forms, asymmetrical wonder. 
Sexually perfect, she belongs to herself 
like the earth belongs to the earth. 

And speaking of the planet on which you stand, 
that body was fashioned by the same great Mother 
who made the work of art that a woman’s body is.

Vestigial



Heart's a parasitic twin,
calcified from the wounding.
A missing rhythm, hardened
other, the broken love story
between the warrior girl who
hunts the captor of her heart's
imagination and the boy
who loves to run his
fingers the length
of her scars.

My Own Beloved Child

Detail from "More Love Hours Than Can Ever be Repaid," 1987.
artist Mike Kelley.
 




On April 6, 2009, the body of 8-year-old Sandra Cantu was found inside a black suitcase floating in an irrigation pond in Tracy, California. Sandra had been missing since March 27, 2009
 
My Own Beloved Child 

I do not know you but I shall hold you like my own beloved child. 
I promise once I’ve cleaned you I will cover you like my own beloved child. 

From the black case, I lift you and lay your modest form upon a white sheet. 
Painstakingly, I comb through your tawny hair, like my own beloved child’s 

Gently I hold each hand and scrape foreign matter from under your pink nails 
Your tiny breathless nostrils and still breast makes me ache for my own beloved child. 

I photograph your cuts and bruises, set your twisted limbs aright, 
Map every inch of your lovely form as I might my own beloved child’s. 

I swab where I must, reassuring you that this will be the last assault upon you. 
I eliminate all infection from you as I would from my own beloved child. 

Every fiber and hair is combed from your hello-kitty top and black leggings 
as if I were grooming the lovely angel wings of my own beloved child. 

You are clean now, though no amount of wickedness could ever really stain you. 

Dearest, you are my angel, my angel; forever my own beloved child.

Dirty







He turned, walked away from the murky pond, left behind the dirty. 
Wash out the muck a few more times. he hates to be dirty. 

It's out. He drained it away as he was shown to. For a time, he won't be hurting.
It breaks him. It makes him glad. He cleans his car. It's gotten dirty. 

Ashes to ashes--mud to mud. He saved himself. He was helpless. 
The fault is hers, she skipped in childish ways that made him feel dirty. 

Fold inside another time when the boy is used tortured ways yet returns different 
from the man he is today, this altered man would shield a child from what is dirty. 

He wakes, this dream's not real, and hope's false too. Like nonexistent light is in a black hole. 
He buys candy. He's lost his dog. He takes all sweet things. He makes them dirty. 

He means to eliminate his own stain with ransom of this untouched child. 
Inside him, there is a hole where a soul might be. It is black and deep and it is dirty. 

This earth is blessed with angels oblivious to the beastly things that hunt them.
One cherub spared any memories rose to divinity; she exceeded every grasp at dirty.

It is said, she comforts the bereft, with profound and graceful wings. Though unseen to her, 
She sings for souls adrift in nightmarish imaginings of dark and impenetrable things so dirty.

Missing




    I first ran away when I was five. My father sat on the stoop with a grave goodbye. He respected my conviction but was sorry to see me go. I'd packed my orange and pink flowered vinyl suitcase, underwear, clean shirt, Thumbelina... I didn't want to hurt him, but I'd be moving on.

    He watched me trot down Mifflin Avenue, my back straight as I passed Mrs. Easley's Dwarf Irises. In the next yard, the black lab, Sylvester, chewed a tattered yellow tennis ball, a few more paces, and I passed the mean lady's house until I was near the corner of Overton, my heart racing along with me.

    I didn't look back, sure my eagle-eyed father could see me this far down the avenue. Relieved as I turned the corner by the Ritter's house, now I could let my belly full of fear and melancholy heave through my chest and throat. I bent over in tears, sad to think of my mother's heartbreak when she discovered me gone. The site of the chain-link fence around Ruth Ritter's yard, her father's vegetable garden, the swing set, the sandbox still built with our afternoon imaginings, all this filled me with comfort. I thought for a moment to turn down the Mifflin alleyway toward what used to be my backyard.

    Instead, I took steely steps down Overton toward Trenton Avenue and stood on the corner doors away from the Caliguri's on the border of a dozen strange houses. I ventured on. A slow car passed my low wet vision on this unfamiliar street with fewer trees, the lawns were bare, and the hedges were overgrown. Aging Victorian homes with peeling paint and dark-eyed windows advanced my tiny feet. When I reached a familiar house on the corner of Trenton and Hutchinson, the Bailey sisters who sold homemade cookies and who I'd often visited, back in the day.
    
    "Mom says I can't ask, but if you offer, I can have a cookie."

    I hadn't known this alternate route to the Bailey's. The back of their house was a kitty-corner to my former home. I'd traveled this long and far, only to find myself nearly back where I'd started. I was sure my father would laugh at me when he saw me turn the corner of Hutchinson back onto Mifflin. But, instead, he welcomed me as if I was returned from a long and arduous journey. He offered hugs and celebrations.

    The second time I 'ran away,' I was seventeen, pregnant, and upset with my older siblings. They'd been hassling me, trying to influence the choices I was about to make. I'd left Mifflin Avenue in a whirl of tears and drama for the apartment of a public health nurse who lived in an unfamiliar part of town but had offered me help and kindness. There were tenements, two and three-family homes, parked cars lining the street curbs, and no trees in her neighborhood. My father discovered my whereabouts and called me to visit for a talk. He was considerate toward me and respectful in a way that confused me. I thought he'd be angry with me.

    We sat together in the dingy kitchen of this strange apartment. I cried, and so did my father when he asked me to come home, assuring me that no one would bother me with opinions about my plans or my baby. When I labored to give birth to a daughter, it was my dad who held my hand all through that long life-altering night. A father of five, he had never seen a woman in labor. He later told my mother if he'd seen her endure one childbirth, she would not be the mother of five. I don't recall his words when he met his new grandchild, yet more than forty years later, I remember his face as they wheeled me and my daughter from the delivery room to meet him.

    On Father's Day, dad left Mifflin Avenue in an ambulance I'd summoned there for him fifteen months later. I yelled at curious neighbors to stop staring and go back into their houses. My lately walking daughter clung to my leg. So here was my remarkable father, fallen. I felt so protective yet helpless to shield him from his fate.

    Dad never returned to Mifflin Avenue, and somehow, I, too, have since been missing.

Landmark

Landmark is a small college in Putney, Vermont. After years in a baffling academic sea, the men and women who study there compare it to a beacon – a sign of land. Pedestrian learners aren’t admitted here. Students bear the badges of ADD/HD, Aspergers-Syndrome, Nonverbal Learning Differences, and Dyslexia. It’s unfortunate we commoners can’t share this campus. We’d likely discover incredible things about learning, the world, and ourselves here. Some travelers see lighthouses as quaint attractions. A friend collects miniature versions, Currituck Beach, Bloody point, Bodie Island Light, conical replicas of the seafarer’s solace. Putney is an inland village. The Landmark campus draws international travelers who know they will find their way, just as their ancestors did, given light to follow ashore.

Origin


The conditions of a solitary bird are five: First that it flies to the highest point. Second that it does not seek after company; not even its own kind. Third, that it aims its beak to the wind. Fourth, that it has no definite color. Fifth that it sings very sweetly.
(John of the Cross: Sayings of Light and Love)




Clouded Leopard

To begin, it was thought she was a bird,
raven, or solitary spotted owl.

Next, her tree-dwelling ways,
how she slunk under branches,
lunged headlong down tree trunks.
Of this, it was said simply, squirrel.

Perhaps not fauna at all, theories grew.
This coat of gray elliptic shadows
and the sorrow provoked
by her poised against the bluest
afternoon sky. Cloud species: alto-cumulus.

Yet hearing of her saber-ic canines,
the gift of balance, her long tail,
and that she’d gone mad in captivity
first killing, then devouring her young,

prowling the corners of her keep,
disappearing entirely and for days,

and how her mate became aggressive
after sexual encounters.

I recognize, but do not declare,
this cousin of mine.

Followers